Five chances to reset the terms of your book contract (Part 1)

If you published the first edition of your textbook ten or more years ago, you may find yourself occasionally muttering to yourself, “I wish I kew then what I know now.”

Why is that?

Historically, the publishers start the book contract negotiation game with all the cards…backs to you. You have one card…it’s face up. And it tells everybody, “I’m new at this but I’m excited. Just tell me where to sign.”

Publishers have generally been the gatekeeper to a published book. While this may be less true now, with self-publishing and Open Educational Resources (OER), the publishers still have the most established distribution channels self-publishers cannot begin to match.

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5 Ways authors can assist their publisher with book promotion

Whether you are an author working with a larger publisher with a sizable marketing budget, or a smaller publisher with a tight marketing budget, you can–and should–play a role in promoting your book. Paul Krieger, author of a four-book Visual Analogy Guide supplement series with Morton Publishing, shares five ways authors can assist their publisher with book promotion:

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TAA Committee for Diversity, Equity, and Inclusion Town Hall on Peer Review

Peer Review is at the heart of the process scholars use for advancing knowledge, testing theories, and authenticating claims and findings of research. Identity – both of the reviewers and the reviewed – is an inescapable component of peer review, and it can add an element of subjectivity to any assessment.

 Members of TAA’s Committee for Diversity, Equity, and Inclusion will conduct a Town Hall to hear from members about their experiences in peer review. Have you experienced biases in the peer review process? How did you become aware of it, and did the publisher address the issues? Are there ways you’ve seen diverse identities improve the peer review process?

Join us Tuesday, September 21 at 4 p.m. ET for a discussion guided by members of the Committee. Take this opportunity to include your voice in the discussion, and leave with strategies for reviewers and authors navigating DEI issues in the peer review process. Let’s learn from our experiences.

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Your own writing room(s)

My writing buddy’s face turned dark pink as she shouted over her latté. “No one can write anything decent without a private place!” She jabbed with her finger. “It’s gotta be your own!”

I was as adamant. “Oh, come on! All you need is the desire, will, and your stone tablet and sharp tool. It doesn’t matter where you write!”

Our little debate embodies two often-discussed viewpoints about writing. My vehement response to my friend brought up again my long puzzlement about the most effective place to write. Other writers have explored this topic, with many suggestions. They are all fine, but I believe something is missing. Especially if you’re in a quandary about where to write, I’d like to help enlarge your perceptions of your own physical and mental writing places, spaces, and times.

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