Most useful textbook and academic posts of the week: September 27, 2019

Isabel Allende once said, “I don’t think of literature as an end in itself. It’s just a way of communicating something.” In reflection on this quote, TAA member Caroline Eisner commented on our LinkedIn page, “Allende seems a strong proponent of the idea that writing needs to communicate something TO SOMEONE, a strong appeal to writing with audience awareness. As if, without that awareness, literature doesn’t exist? Just thinking out loud here.”

This week’s collection of articles addresses similar thought, with focus on what publications matter at what stages of your career; the idea that writing is more than technical skill, but rather a capacity to apply knowledge; and the ability to use our skills as examples to others through mentoring or models. As more colleges try classes without textbooks, discussed in our final article, it’s right to consider whether literature is an end in itself or just a way of communicating something.

As you write this week, consider your audience and your form of writing. Are they aligned and do they communicate the ideas you intend to share with those for whom they are intended? Happy writing!

Success, secrets, and finding our way! The inside story of TAA authors’ development

How do TAA authors find their way through a complex and ever-changing maze of writing and publishing? In April 2018, we asked TAA authors, via an online survey and follow-up interviews, to share their experiences in writing and publishing. From 139 survey responses and 12 interviews, we gained rich and insightful descriptions of TAA authors’ writing and publishing journey. We learned about: pitfalls and challenges that can be avoided as authors write and publish books, what authors wish they had known before beginning the book-writing process, and the top three strategies TAA authors leveraged to improve their skills.

To share TAA authors’ experiences and wisdom with you, this blog post reveals some of their pitfalls, lessons, and strategies for writing and publishing textbooks and academic books.

What makes for a quality peer review? TAA members’ perspectives

In preparation for this week’s Peer Review Week theme of “Quality in Peer Review”, I decided to reach out to several members of our TAA community for insight into the peer review process from either the author’s perspective, reviewer’s perspective, or both.

Regardless of the perspective, I asked for the answer to a single question, “What makes for a quality peer review process?” The insights of eight TAA members are shared below.

Most useful textbook and academic posts of the week: September 20, 2019

This week’s collection of articles from around the web is laden with questions. How do I approach an inter-disciplinary thesis? I’ve passed my comps – now what? How do I plan my first draft and get the right stuff in the right order? What are the ethical issues of working with literature? How can I be a good peer reviewer? How do we support research engagement? How can I deal with the growing complexities of international collaboration? And the theme across Peer Review Week 2019, how many ways can you define quality in peer review?

Ernest Hemingway once said, “We are all apprentices in a craft where no one ever becomes a master.” As we come to the close of Peer Review Week 2019 it is fitting to remember that our peers are apprentices as well in this craft. None of us have all of the answers to the questions above or the countless others that face us as academic writers. We learn from each other and grow stronger in our writing and disciplines as a result. This week, embrace your apprenticeship status and Happy Writing!

Crafting meaningful stories to bring research methods to life

Stories engage readers. We can use stories to show how the ideas or strategies we are discussing might play out in a particular social, cultural, or organizational context. I often write about research methods, and find that stories can help readers see how the pieces of a research design fit together. Stories can be presented in a fully-developed research case, or as an engaging example inserted within an article or book chapter.

For my first research book, Online Interviews in Real Time, I thought it was important to include stories. Online methods were new and few robust descriptions were available that showed how they actually worked. I found six researchers who were doing interesting online research, and interviewed them. I crafted a section for each chapter called “Researchers’ Notebook: Stories of Online Inquiry.” Readers could see how each of these researchers handled ethical dilemmas or sampling. The companion website linked to additional materials from the researchers’ work.

Several books later, I am getting ready to write a new edition for Doing Qualitative Research Online and again want to include stories in a “Researchers’ Notebook.” I know that more researchers are incorporating stories, so I wondered whether their lessons learned might help me prepare to move forward. In this post I will share a few tips and examples I discovered in three open access articles. In a future post I will look at digital and visual storytelling and how I can use these approaches in ancillary materials.

Safeguarding your scholarship in OA: What to look for and what to avoid

As open access publishing matures into an accepted (and in some disciplines, the standard) form of scholarly communication, it is more important than ever to be able to spot what Jeffrey Beall calls “predatory publications”, publications that accept article processing fees but fail to provide essential editorial services.  As academic librarians who have many years of experience helping faculty navigate this new landscape, we recommend using the following strategies for safeguarding your scholarship while pursuing open access options for your work.