Trade vs. textbooks: 6 Key takeaways from my experiences

I am the author or co-author of three books. A textbook with a vanity publisher, two trade books with an academic publisher, and an upcoming introductory textbook.

My first book was the result of a publisher’s agent knocking on my office door and asking if I would be interested in writing a textbook. All the publisher asked was that I would require the book within my courses and sign away the copyright. I was excited to get started, so I barely even read the publishing contract. I now know this experience epitomizes that of working with a vanity publisher – the goal is to generate some revenue rather than produce the ideal product.  The textbook ended up being an effective tool within my course, but it wasn’t adopted anywhere else.

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Textbook award-winning insight (Part 5): Key to textbook longevity, preparing for the next edition

A few weeks ago, I reached out to winners of the 2017 TAA Textbook Awards and asked them to answer some questions about their textbook writing. I had so many great responses I decided to create a six-part series to share them. The first installment focused on why they decided to write their textbook, and how they got started. The second installment focused on what they do to boost their confidence as a writer, how they fit writing time into their schedule, and what software they use. The third installment focused on which pedagogical elements in their textbook they are most proud of, and what involvement they have had in marketing their book. The fourth installment focused on what they wish they had known before they started, and advice for other authors.

This fifth, and final, installment in the five-part series focuses on the more veteran authors, who share the key to their textbook’s longevity, what they have learned over the years, and their approach to preparing for a new edition.

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