5 Surprising lessons for writers from the business world

Like most writers, I keep bumping up against articles on how to treat my writing more like a business. And probably like many writers, I rebel at this advice, always trying to pry more time for the writing itself. But in an infrequent browse through an older business publication, I stumbled on an article that didn’t give me administrative agita. Even immersed in creative bliss, a writer can hardly resist the title: “Ten Traits That Make You Filthy-Rich” by Jeffrey Strain (TheStreet.com, February 1, 2008).

The five points I discuss here from Strain’s evergreen article  may be new to writers. The parallels remind us what we need to do not only to become rich (yes, it’s possible) but to stay true to our writing potential. (Strain’s traits are in italics.)  

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19 Reasons to start a journal

A journal is a time-honored writer’s tool to record and develop ideas, work out projects and plots, and save meaningful aphorisms and perfect overheard phrases. We can use a journal for these, other issues, and any aspect of our writing. Whether you’ve kept a journal for decades, or have never started one, consider these tips not only to help you write more but also to make your writing more effective.

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Time and friendship and writing

As I’ve chosen to reduce socializing in favor of more writing time, I’ve chosen to keep up or reconnect with a very few friends and realize an essential characteristic of friendship: time doesn’t matter. However long the moments, weeks, or years between contacts, real friendship knows no steel-banded boundaries of time, distance, erratic mobile phone connections, or sporadic emails.

I recall a friend of twenty years ago who lived nearby and still cherish our many calls and visits. When we both moved, our interests diverged, and contact ended.

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A delicate balance: Humility and self-respect

Whether you are a doctoral student wrestling the drafts of your dissertation or an academic author wrestling with the drafts of your book, you have encountered, or will, the often-intimidating presence and feedback of your chair or editor. As with any interpersonal relationship, it’s advisable to steer between abject obeisance and independent arrogance. Neither will get you what you want—approval of your dissertation or publication of your book.

In my academic editing and coaching profession, I suggest to clients that an optimum way to establish and maintain a good working relationship is a combination of humility and self-respect. Whatever your past accomplishments, humility before the perceived power of the chair or editor is required.

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How to smash an unexpected block: When the writing’s going well

We’ve all probably read articles about writer’s block that stumps and paralyzes, but several writers I know have experienced another unexpected and surprising block. One described it: “My fingers play the computer keyboard like a concert pianist, my pages pile up like gold. ‘Wow, I think, I’m gonna go all night!’”

Then he confessed, “‘Faster than a form rejection, more powerful than an editor’s frown, able to freeze me in a single flash, a horrible thought darkens my brain: I can’t stand it anymore!’”

What? The writing was going just too well.

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