Most useful textbook and academic posts of the week: June 14, 2019

As I complete this collection of articles from around the web this week, our 32nd Annual Textbook & Academic Authoring Conference is underway in Philadelphia. Over the next couple of days, authors from different disciplines, backgrounds, and geographic regions will come together to discuss topics of common interest, each with a common goal of becoming a more successful author.

This week’s collection includes some ideas that face most, if not all, of this diverse group, including writer’s block, thesis statements, data visualization, authorship, and author contribution. It also contains articles on specific issues facing subsets of our collective authoring community, including work/life balance for PhD students, diversity factors in awards and recognition, and open source initiatives and funding.

No matter the differences among us, and whether you are here in Philly with us this weekend or part of our larger authoring community, know that you are not alone. Take comfort in the things that we share and that are shared with us. Happy writing!

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3 Time problem areas and how to handle them

In her recent TAA webinar, “Creative Scheduling For Those Who Have ‘All of the Time in the World’ and ‘No Time At All’”, Katy Peplin identified three areas that commonly result in time problems: focus blocks, priority blocks, and scheduling blocks. If you’re having difficulty managing your time, chances are you’re dealing with one or more of these blocks.

But there’s good news. Peplin also shared specific actions that you can take to overcome each of these three blocks.

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To keep writing, use a time log

“What did I do today!” you wail. For the life of you, wiped out at the end of the day and ready for binge TV, you can’t remember anything you did except overeat for lunch. Maybe you recall writing for eight minutes midmorning and half-heartedly pecking at your journal article in progress, but otherwise the day’s a blank. And paradoxically, you feel you’re always so busy, dashing from one thing to the next and never getting it all done.

Sound familiar? Where does the time go? Especially for academic writers, with the responsibilities of teaching, mandatory committee meetings, office hours, reading endless memos, emailing responses, and comforting a colleague who just got her article rejected—again—it’s an ongoing challenge to take hold and wrestle our writing time to the ground, or desk.

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Should we succumb to ‘the mood’ to write?

We all have trouble getting to the desk. Loads of articles, blogs, chapters, and seminars by writers for writers advise how to get to it, stay at it, and finish the damn thing. And some of them help, like Schumann’s (2019) dictum to do fifteen minutes a day or the pomodoro method (Cirillo, 2018) of twenty-five minutes on, five off. Schumann and others also counsel that inspiration is a cheat. If you believe you must wait to write until the right mood strikes, you’ll never get much done. Many writers nevertheless persist in this myth, supporting it with impressive rationales. Some blame external circumstances:

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2/28 TAA Webinar: “9 Proven Strategies to Help You Stop Procrastinating and Write Your Manuscript”

For some people, staring at that first blank page is the hardest part of the writing task. Others have good start up energy and ideas but struggle to maintain momentum. Finally, are those who wrestle with completing a manuscript and sending it out. Join us Thursday, February 28 from 1-2 p.m. ET for the TAA webinar, 9 Proven Strategies to Help You Stop Procrastinating and Write Your Manuscript, where presenter Mary Beth Averill, PhD, MSW, Academic Coach and author of How to Become an Academic Coach, will present nine strategies to help you with organization, motivation, time management, and editing from start to finish whether you are writing an academic book, journal article, or dissertation.

Register today!

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How to smash an unexpected block: When the writing’s going well

We’ve all probably read articles about writer’s block that stumps and paralyzes, but several writers I know have experienced another unexpected and surprising block. One described it: “My fingers play the computer keyboard like a concert pianist, my pages pile up like gold. ‘Wow, I think, I’m gonna go all night!’”

Then he confessed, “‘Faster than a form rejection, more powerful than an editor’s frown, able to freeze me in a single flash, a horrible thought darkens my brain: I can’t stand it anymore!’”

What? The writing was going just too well.

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