Your own writing room(s)

My writing buddy’s face turned dark pink as she shouted over her latté. “No one can write anything decent without a private place!” She jabbed with her finger. “It’s gotta be your own!”

I was as adamant. “Oh, come on! All you need is the desire, will, and your stone tablet and sharp tool. It doesn’t matter where you write!”

Our little debate embodies two often-discussed viewpoints about writing. My vehement response to my friend brought up again my long puzzlement about the most effective place to write. Other writers have explored this topic, with many suggestions. They are all fine, but I believe something is missing. Especially if you’re in a quandary about where to write, I’d like to help enlarge your perceptions of your own physical and mental writing places, spaces, and times.

Don’t want to write? Rev up your intentions

These languid summer days, after some necessary business with my dissertation coaching and editing clients, I resist doing my personal writing. Generally, I manage to balance (or struggle with or squeeze) the ever-ongoing writing projects—novel, stories, essays, poems—with the client work. If I don’t do something on my own writing, the day will feel wasted and I didn’t fulfill at least a little of my writing promise to myself.

To tease myself into writing on a particularly steamy day (despite the air conditioning), I remembered a technique that academic and creative coach Dr. Dominique Chlup (2016) teaches her clients. This is to first set your writing intentions: ask yourself how you want to feel writing during this session or having written.

Spring Your Writing Forward: Get a Month of Motivation in April

Accomplish your academic writing goals by focusing on two areas of academic writing that many authors tend to struggle with – isolation and accountability – with TAA’s new Month of Motivation program.

To combat the challenges associated with personal goal setting and accountability felt by many academic authors, we have developed a month-long motivational email series that begins with a personal pledge to meet your writing goals. Simply share with us your goals, anticipated challenges, and what TAA can do to help you succeed, and we’ll help move you forward with daily email messages containing motivation, encouragement, and resources to advance your writing efforts all month long.

Most useful textbook and academic posts of the week: March 5, 2021

As academics, we seek to gain and share knowledge, we look for answers and question the ones we know, and we encourage students and colleagues to continue learning and expanding their breadth of knowledge. But what happens when we don’t find an answer or, worse yet, don’t feel like we have the answer to give to someone else?

As academic and textbook authors, we are the authority – the knowledge source – in our discipline, so how could we possibly not have an answer to give, and if we don’t, then maybe we need to question whether we belong in that position of responsibility as a writer after all, don’t we?

Overcome a startling block: When your writing flows

Your fingers play the keyboard like a concert pianist, your pens run dry with astounding speed, your pages pile up like gold. “Wow,” you think, “this is how it should be! I’m gonna go all night!”

But then, faster than a form rejection, more powerful than an editor’s frown, able to freeze your brain in a single flash, a horrible thought zaps you: I can’t stand it anymore!  

What! Why? A strange reason: Your writing’s going just too well.

Most useful textbook and academic posts of the week: December 18, 2020

Ernest Hemingway once said, “As a writer, you should not judge, you should understand.” In our academic writing, there are certainly a number of places where understanding is important.

Seen in this week’s collection of articles from around the web, we must understand how to develop a first draft, what questions we need to answer to move forward, what our research data tells us, what makes writing worthwhile, how to maintain a productive schedule, how to balance work with periods of rest, how to survive through crisis, and the general state of the publishing industry.