Reflections on seeking a publisher 3: Write the proposal before the book?

Before I started the proposal process for my book, I had written a complete draft (as well as two almost-complete early drafts), and also hired an editor to check that draft. I had, in short, a pretty mature draft. But the questions publishers ask about the completeness of the draft, led me to wonder whether that was the best plan for seeking publication.

Common proposal questions ask: “When do you plan to finish the book?”, and “When can you deliver the manuscript?”, which seem primarily relevant for proposals written by people who have not yet completed their book.

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Reflections on seeking a publisher 2: A lengthy process

The process of proposing and publishing takes a long time, so patience is important. I started the proposal process nine months ago, and there’s a chance I may be working on a new proposal soon. There are ways that I could have saved time in the process, but even if I had been maximally efficient, I would still have been looking at a process of several months.

In February, I sent my first proposal to an agent who specifically requested sole consideration, which was fine with me, given that part of why I was trying an agent was to avoid doing multiple proposals. (I will discuss the question of giving publisher sole consideration in a future post.) The agent’s website said if I hadn’t gotten a response within six weeks that I should assume that my proposal was rejected, so I waited (and avoided the difficult task of preparing another proposal).  When I hadn’t heard within five weeks, I started to work again, thinking about to whom to send my next proposal.

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Understanding Creative Commons licensing

Whether you are publishing open access articles, working on open textbooks, or simply securing images for use in your manuscripts, chances are you will encounter the Creative Commons licensing model at some point.

Creative Commons (CC) licensing is a set of copyright options that allow for the retention of rights without maintaining the “all rights reserved” approach to traditional copyright protections. There are six forms of CC licenses, each with varying restrictions, and all requiring attribution to the original creator: CC BY, CC BY-SA, CC BY-ND, CC BY-NC, CC BY-NC-SA, and CC BY-NC-ND.

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Five ways to build publishing success

Academics should be publishing and publishing often! That’s the conventional wisdom especially for those hoping to achieve tenure. And while everyone agrees a substantial writing portfolio is essential to a successful academic career, there are surprisingly few resources that provide guidance on how you go about doing it. Ryan Blocker is the Program Manager for Campus Workshops at The National Center for Faculty Development and Diversity (NCFDD). Through his regular work with faculty, he has compiled some concise recommendations for how to publish often and to ensure follow through on your writing projects.

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Finding the balance: Tailoring more time for writing by adjusting teaching practices

Finding short bits of time to write during the week is usually a challenge for busy faculty. Teaching expectations are often urgent and very important while writing time is important but, usually not urgent. Yet, by being more focused and intentional with our time, even our teaching time, we can tailor our teaching practice to be able to fit in much more writing time.

Here are four practices that we have honed over the years that have enabled us to carve significantly more time in our schedules to dedicate to our writing projects.

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Reflections on seeking a publisher 1: Introduction

For most of this past year, I have been in seeking a publisher for my book for graduate students about using scholarly literature. As I write this, my proposal is scheduled to be discussed at a publication meeting a few days from now, and by the time this blog post gets published, I will either have a contract offer or another rejection.

In this and the following posts, I reflect on some of the issues that have come up in my process—issues that might be of interest to writers who are not yet experienced in proposing books to publishers. Those with more experience might view my reflections as naive (and if so, feel free to comment), but those with less experience might at least find comfort in someone else struggling with similar issues, even if they don’t find useful suggestions.

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