Egocentric Reading: Using Literature to Support Your Own Research

By Dave Harris

When we notice egocentrism, it is usually a bad thing: who likes the know-it-all who thinks only of themself? But lack of egocentrism is also bad: we need to know where we stand on issues; we need to trust our own knowledge enough to commit to projects and tasks, and to commit to words on the page. I want to emphasize the importance of egocentrism in reading as a crucial factor in using the research literature effectively, and how writing is an effective tool for building the right kind of egocentrism.

Three Strategies to Motivate Yourself to Write

By Angelica Ribeiro, PhD

To be happy involves feeling satisfied with the progress you are making toward your life goals. If you are a writer, completing writing projects is likely part of those goals. Therefore, you feel good when you sit down to write. However, I bet there are days when you don’t feel like writing, even if you know it will ultimately bring you joy. So, how can you motivate yourself on those days?

Here, I share three strategies that can motivate you to write, especially when you’re not feeling up to it.

Break down a big task into small tasks

Habit and the Love of Wisdom

By Dave Harris

As a writing coach, I focus on practice and the idea that, for any skilled activity, practice develops skill, and that no matter what our level of mastery, we always benefit from practicing the skill. In this context, “practice” means both small-scale, focused, repeatable, low-consequence activities to increase a skill that will serve their larger purpose (e.g., musicians practice scales to support their ability to play music, tennis players practicing serves to support their ability to compete effectively) or, at a larger scale, an entire career involving actual performance (e.g., a doctor’s medical practice, which has very real consequences for patients).

Curate Your Own Work

By Janet Salmons, Ph.D.

“The past is prologue.” – William Shakespeare in The Tempest

We know how to proof and edit without mercy. We are accustomed to having our writing reviewed by editors and peers. What happens when we take these processes to the next level and initiate a critical review with an eye to a radical update, synthesis, and new publication(s) based on the writing we’ve done throughout our careers? That is the project I am undertaking as a fellow of the Center for Advanced Internet Studies. The concept grew out of a TAA conference session, so I look forward to sharing lessons learned and inviting you to consider curating your work.