TAA member Joseph M. Godlewski is an Assistant Professor of Architecture at Syracuse University and is both a textbook and academic author in the architecture writing discipline.
His most recent publication is Introduction to Architecture: Global Disciplinary Knowledge, published by Cognella in 2019.
Collaborative writing relationships can be advantageous to all involved when designed for success, but without self-awareness and clear communication, these relationships can set projects on a path of failure. In academia, opportunities exist for both student-to-student collaboration as well as collaboration between students and professors.
During their 2019 Textbook & Academic Authoring Conference session, Laura Jacobi, Justin Rudnick, Alyssa Harter, and Cristy Dougherty shared some strategies for successful professor-student collaborations.
In Laura Foster’s article “Placement Matters! Textbook Art Placement” in the Fall 2019 edition of The Academic Author, she makes excellent points about the importance of art positioning in a textbook and the challenges to accomplish this. By placing art directly where students will “see” it when they need it, i.e. near the in-text callout, we support their learning. If the art is not immediately visible to them, they are less likely to reference it. Appropriate placement also supports instructors who wish to refer to the art during a classroom discussion. I thought I would take a moment to share my experience and solutions.
When your textbook moves from the manuscript phase to the production phase, your publisher’s composition team might have different ideas about where your figures and photos should be placed than what you had envisioned. What can you do (besides get angry) when your callout appears at the bottom of page 37 and the figure doesn’t appear until the bottom of page 38 after a page turn? Justify your requests with research! According to the Multimedia Principle, people learn more deeply from words and pictures than from words alone. For authors interested in the wealth of research that supports this, I highly recommend Richard Mayer’s book, Multimedia Learning, published by Cambridge University Press (2009).
T.S. Eliot once said, “Most editors are failed writers – but so are most writers.” The key to success, however, is to fail forward. This week’s collection of articles from around the web fittingly explores some of the ways academic authors can do just that.
We begin with an exploration of the “gap” between management scholarship and practice and the number of academic hours worked. We then consider ways to keep up with the literatures and simplify indexing and data sharing. Next, we explore ways to deal with failure and to apply the lessons learned along the way. Finally, we examine ways to make money from writing books and reasons why librarians are concerned about GetFTR.
As you close out your academic semester and near the end of 2019, reflect on the successes and failures of the term and year past, but focus on failing forward into the year ahead. Happy writing!
I admit to being addicted to quotes. I have kept a list for years and it grows with each book I read. “Let us cultivate our garden,” is a well-known aphorism by Voltaire. It applies to so many areas of life: relationships, work, gardening, and of course, writing.
Quite a few authors or would-be authors I speak with feel unsure or uncertain about their writing and editing skills. I get it. Most authors have spent years honing their content mastery and little of their precious “free time” on becoming better writers or editors.
