Finding a Freelance Editor You Click With

by Hannah de Keijzer

Thousands of freelance editors are poised to work on your manuscript. But whether or not the editorial process elevates your book and enlivens you as a writer hinges in large part on the person you pick. You need someone who can deliver edits to professional standards, of course, on time and within your budget.

But you also deserve to work with a communicative editor whose method fits your brain and preferred ways of working. Look for someone who gives you confidence in yourself and in your manuscript as it develops. That’s a matter of process and feelings fit as much as one of professional skill.

Engaging Our Inner Critics

By Michelle Rivera-Clonch, PhD

We often hear about the hazards of an Unskilled Inner Critic and, like most things, there’s more to the story. Our Skilled Inner Critic, when called upon, promotes a writing flow that encourages us to be calm, cool, connected and creative. We have access to both Critics—it’s about the intensity and frequency that we rely upon each one to help us complete the writing project.

Getting the Most Out of the Editorial Experience

By Hannah de Keijzer

Having your manuscript edited is a chance to clarify your ideas, develop your writing craft, and make your book the very best it can be. Here are tips and prompts to help you take full advantage of this opportunity.

Your manuscript can go through several kinds of editing as it progresses from idea to publication:

  • developmental/substantive editing for structure and argument;
  • line editing for voice, clarity, and flow; copyediting for consistency and correctness; and
  • proofreading for that final cleanup of lingering errors.

Not all publishers offer editorial support at every stage.

A Copyeditor’s Suggestions for Tightening Up Your Prose

By Laura Poole

I’ve been copyediting scholarly nonfiction for many years now, and I have some gentle suggestions to academic writers who would like to tighten up their prose.

These are all suggestions at the phrase level, not the sentence level, to reduce wordiness, impose active voice, and improve flow. There are NOT hard-and-fast rules and should not be done as a knee-jerk reflex. There are times when these suggested edits won’t work or will change the meaning of the phrase; in these cases, don’t do them!

Author Tech Tool Suggestions: For the Tech Bewildered

By John Bond

We are living in a Golden Age of technology for authors. But sometimes these new or improved tools can be intimidating. Here are some simple steps for getting started on considering these tools that might improve your writing output and quality.

Before we start, take an inventory:

  • Currently am I making the best use of my time?
  • Will new tools make me more productive?
  • What’s wrong with your current tools?
  • What is available to you now through your institution?
  • What’s your motivation for a change?

TAA Featured in Episode of The A&P Professor Podcast

TAA was featured in an episode of The A&P Professor podcast on April 12, “Pulse of Progress, Looking Back, Moving Forward,” with host Kevin Patton, an award-winning anatomy and physiology textbook author. Kevin’s comments about the benefits of TAA membership and invitation to attend TAA’s 2024 Conference on Textbook & Academic Authoring come in at 50:22.

In the episode, Kevin says: “With a strongly supportive network of colleagues, TAA provides many resources and active, engaging opportunities for growth and network-forming. TAA meets the needs of those interested in creating textbooks, lab manuals, workbooks, and other learning resources, as well as those who focus on academic writing, such as journal articles, dissertations/theses, monographs, and scholarly or other nonfiction works.”