Curing our time ills: Review of ‘Guide to Making Time to Write’

TAA’s forthcoming book, Guide to Making Time to Write, is an invaluable compendium of suggestions and solutions for all the writing time troubles that beset us. I must admit I’m a contributor to this book; nevertheless, many of of the tips helped me tremendously to treat my writing time ailments—like conveniently missing a day, or several, because of “necessities”;  or avoiding the piece that will give me the most satisfaction in favor of minor editing on another.

The book has many aids for such maladies and more—with large sections on time management, productivity, templates for schedules, and recommendations for software. You can go directly to a section or—almost as effective—browse at random. I kept discovering new pointers, like acknowledging when I’m getting too tired to continue creatively or productively and quitting, or working another ten minutes and then another spurred on by a delicious bribe, for me a nightlong binge of Las Vegas reruns.

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Too tired to write?

Do you often find you’re too tired to write? If so, you’re suffering from a widespread malady: Too Tired to Write Syndrome (TTWS). I know it well. Late at night, after three hours of primetime soaps/CIA adventures/sports/reality shows/80s reruns, we solemnly promise ourselves we’ll tackle our latest writing project early the next day. Or we solemnly assure ourselves, early in the new morning and jolted by a surge of caffeinated joy, we’ll write later today between 3:00 and 4:00.

But then . . . our promise to ourselves to write drowns in the rest of our lives. With all we have to do, we’re just too tired.

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Writing stalled? Send yourself a letter

When I scanned the mail the other day, one letter caught my eye. I couldn’t quite place the handwriting and tore open the letter. To my shock, I saw I’d written it to myself.

Maybe I should have recognized my own handwriting, but it was like seeing yourself reflected in a window. Even though certain aspects look familiar, we often don’t have a clear picture of what we look like—or write like.

Three weeks earlier, I’d received a rejection for a particularly important writing project. After I poured out my despondency to a friend, she suggested writing a letter to myself venting my frustrations, extolling my virtues, and declaring my writin goals and mailing the letter without a second glance or draft. It should be postal mail, she emphasized—email wasn’t quite the same. I thought this idea a little hokey, but desperate followed her advice.

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Gather ye testimonies while ye may

Testimonies broadcast our contributions and encourage purchase of our good words. Also referred to as endorsements or recommendations, testimonies may appear on the front and back covers of your book, in the first pages, in reviews, and, of course, on your website. To gather effective testimonies takes time, thought, and some courage. Here are five points to keep in mind.

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Are you a linear or circular writer?

Some writers feel comfortable and can be productive following the sage advice of the King in Alice in Wonderland to the White Rabbit: “Begin at the beginning . . . and go on till you come to the end.” Other writers, though, wail internally or aloud, “But I don’t know where/how to begin!” Trying to follow that command only increases their angst and intensifies creative paralysis.

No Beginning

When I coach doctoral candidates as they begin writing, I often advise them not to start at the beginning, that is, with Chapter 1. They sometimes think I’m nuts, but, a heretic in the King’s court, I’ve got sound reasons. In the first chapter of a dissertation or introduction in an article, the writer must present a thorough and concise overview of the problem investigated or reported on. This presentation requires (a) great familiarity with the breadth of the topic and (b) greater familiarity with previous studies of the subject.

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Steam ahead or swing back?

Do you zap out your first draft at the speed of bees, ignoring all faults just to get it down? Or do you move like mud, planning down to every detail and laboring over each word, phrase, and sentence before inching to the next?

Which were you taught was the single, inviolable method? Which makes for more effective writing? Which entices you?

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