What is your dream worth?

It’s one thing to have a dream. It’s another to do the things needed to achieve it. Every dream, including your dream of publication, comes at a cost. That cost will be different for every dream and every dreamer, but there are some common realities to all of them, perhaps the most important being that it is possible to pay too much for your dream.

To avoid paying too much, you must first identify what your dream is worth and measure the likely costs of achieving it.

So, what is your dream worth? Unfortunately, only you can determine the answer to that question. And you must answer that question before you can answer the bigger cost question of “Are you willing to pay the price for your dream?” To help you evaluate the value of your dream, let’s explore how to measure the costs of pursuing a dream.

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The rise of self-publishing

Self-publishing has been on an upward trajectory for over a decade, but has gained exponential strength even more recently. What is happening in publishing and the wider world to drive this?

In this post, I will look at self-publishing and the factors powering it. I will compare it to traditional publishing. My next two posts will examine the pros and cons of self-publishing versus traditional publishing, the finances of each, the skills needed to succeed in self-publishing, and the nuts-and-bolts of what needs to be done to self-publish.

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Will getting published achieve what you think it will?

People want to be published. Whether it is a journal article, textbook, monograph, dissertation, or something else, the urge to be published is palpable with many scholars, researchers, and academics. I work with many people and they all have different motivations: tenure, career advancement, to have their work disseminated, financial rewards, and more. Many have a sense of urgency to them.

But will getting published achieve what you think it will?

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Most useful textbook and academic posts of the week: October 30, 2020

Mark Twain once said, “The difference between the almost right word and the right word is … the difference between the lightning bug and the lightning.” Writing is a continuous search for the right word, the right fit, and the right connections.

As textbook and academic authors, that search for what’s “right” may be in the relationships with co-authors and editors. It may be what’s right from a social justice perspective. It may be what’s right in our preparation, process, and delivery of content. Or it may be what’s right for publishing our work.

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What academics need to know about writing for a trade audience

While the books I represent generally are for a trade audience, and are available through Barnes & Noble, Amazon and independent bookstores, a number of my authors are academicians, and also have written for more academic audiences. Very often, that is how their book career began. Today, more categories, such as neuroscience, education, learning, botany, history, and more, are crossing over from academic/textbook to trade, as those authors are able to reframe their material or generate a new spin for an alternate receptive audience.

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Copyright, Covid, and the virtual classroom

With the fall semester fast approaching, faculty are intensively preparing for the 2020-2021 academic year, in the face of continually changing information and circumstances. A number of our higher education clients have had questions about copyright issues relating to the transition of traditional in-person classes to online or hybrid formats. We have also been reviewing software agreements for various services that allow institutions to shift more of their offerings online. Here we discuss four common issues we have encountered. Although the answers are seldom black-and-white, we thought it would be useful to share some of the questions and possible approaches to them.

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