Are you a linear or circular writer?

Some writers feel comfortable and can be productive following the sage advice of the King in Alice in Wonderland to the White Rabbit: “Begin at the beginning . . . and go on till you come to the end.” Other writers, though, wail internally or aloud, “But I don’t know where/how to begin!” Trying to follow that command only increases their angst and intensifies creative paralysis.

No Beginning

When I coach doctoral candidates as they begin writing, I often advise them not to start at the beginning, that is, with Chapter 1. They sometimes think I’m nuts, but, a heretic in the King’s court, I’ve got sound reasons. In the first chapter of a dissertation or introduction in an article, the writer must present a thorough and concise overview of the problem investigated or reported on. This presentation requires (a) great familiarity with the breadth of the topic and (b) greater familiarity with previous studies of the subject.

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Steam ahead or swing back?

Do you zap out your first draft at the speed of bees, ignoring all faults just to get it down? Or do you move like mud, planning down to every detail and laboring over each word, phrase, and sentence before inching to the next?

Which were you taught was the single, inviolable method? Which makes for more effective writing? Which entices you?

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If a hummingbird strikes your window while you write: When to compartmentalize and when to stop

“Writing a story is like going on a date — you will spoil it if you aren’t living in the moment.” — Pawan Mishra, On Writing Wonderfully: The Craft of Creative Fiction Writing

Halfway into my morning writing session, I heard a thump. I looked down at the deck. A hummingbird lay on her back, shaking. In a daze, I went out and stared at her. Her wings didn’t look broken, but what did I know?

I called my partner and my mom. My mom said hummingbirds need sugar water, so I found an old container of grape jelly and made sugar water. I fed her with a water dropper, put her in a box, and she slowly improved. I called the animal rescue people, and they eventually came and took the sweetie away after a few hours of feeding. Though I didn’t hear what happened after that, I’m sure she recovered.

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Freeing ourselves from creative blocks

When we experience a block in our writing, we may blame our deficiencies in the technical aspects—grammar, word use, sentence structure, consistency of details. Often, though, when we fixate on technical problems, we’re avoiding the more pervasive creative blocks. After all, editors can fix our technical errors. Only we can fix our creative snags.

In my work as editor and coach for writers, I can point out the faulty technical aspects in their manuscripts—repetition of “pet” words and phrases, passive voice, overuse of adjectives, overload of clichés. I can recommend grammar guides, style resources, and lists of synonyms.

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Crafting compelling conference proposals with the LASTT Model

Whether you’re a seasoned scholar or you are just now embarking on your academic career, presenting at conferences can provide invaluable benefits and experience. For some, conference presentations are an important part of a well-rounded tenure and promotion portfolio. For others, these venues serve as a vital catalyst for connection and collaboration. Yet, despite the numerous benefits of presenting, there’s relatively little guidance on how to craft a compelling conference proposal.

Sure, there are scads of resources that promise to guide presenters through the process of assembling a knockout slide-deck or delivering a masterful speech. But what good are all of these resources if you can’t get out of the slush pile of proposals to begin with? To get on the program, you’ve got to get past the reviewers, and that’s no small feat.

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3 Important steps to reconceiving your dissertation as a book

Early career academics and newly minted PhDs in the humanities and social sciences often want to turn their dissertation into a book. While this is a laudable goal, it is important to keep in mind that university presses seldom publish unrevised or lightly revised dissertations. Instead, they seek books that grow out of dissertation projects and are substantially more developed. Margaret Puskar-Pasewicz’s TAA webinar offered terrific advice about the big picture of moving from dissertation to book. TAA members can review her webinar for an overview of the whole process.

Where most writers get stuck, I’ve found in my work coaching academics for the past decade, is in the early stage of reconceiving their project. Taking the following three steps can help you shake off the familiar old conception of your work that you’ve lived with for years and chart a new map for a truly book-worthy project.

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