How to smash an unexpected block: When the writing’s going well

We’ve all probably read articles about writer’s block that stumps and paralyzes, but several writers I know have experienced another unexpected and surprising block. One described it: “My fingers play the computer keyboard like a concert pianist, my pages pile up like gold. ‘Wow, I think, I’m gonna go all night!’”

Then he confessed, “‘Faster than a form rejection, more powerful than an editor’s frown, able to freeze me in a single flash, a horrible thought darkens my brain: I can’t stand it anymore!’”

What? The writing was going just too well.

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The most useful textbook & academic posts of the week: May 11, 2018

One thing’s for certain in life. The future is always unwritten. No matter the past experiences or institutional standards, we must change, adapt, and grow with each day – and our writing must as well.

This week’s collection of articles from around the web begins with writing habits, creative research methods, practices for overcoming writer’s block, and ways to evaluate data sources. It continues with exploration of fears and uncertainties related to sharing grant applications and pursuing a PhD as a single parent. Finally, we close with considerations of changes in subscription models, including cancellations of traditional journal subscriptions by universities, and the impact of recent changes in how Facebook is sharing data with the research community.

M. Kirin reminds all authors that “you’re writing someone’s ‘future’ favorite book.” Despite any challenges, fear, anxieties, or past experiences, I hope this week you can focus on the future and share your message through your writing.

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How to avoid the need to secure permission

Maybe it was something you saw in a magazine or at a bookstore. Maybe it was something you saw online. Maybe it was something that caught your eye in a grant application or proposal…a good idea in poorly skilled hands seemingly not up to the task. In any event, wherever you first saw it, it inspired you to develop and publish your own article or book on the subject.

Anyone who has worked in an intellectual or creative endeavor knows that many new works build to one degree or another on the earlier work of others. But getting a head start by leveraging the intellectual work product of another is potentially problematic. When does inspiration cross over into infringement or a breach of scholarly integrity? The lawyer’s answer is: it depends.

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Your writing accountability partner this summer: The TAA Writing Gym

Flex your writing muscles in the TAA Writing Gym. This 6-week work-out-on-your-own gym time will serve as your writing accountability partner as you work to achieve your writing goals. The gym is free with your TAA membership, and is open to those writing textbooks, scholarly journal articles, and dissertations.

The gym will be open 24 hours from July 16-August 26, 2018. The deadline for signing up is July 9.

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5/1 TAA Webinar: ‘Demystifying the Literature Review’

Literature reviews are one of the more challenging genres of academic writing. Join us Tuesday, May 1, 3-4 p.m. ET for the TAA Webinar, “Demystifying the Literature Review”, presented by Dr. Daveena Tauber, Founder of ScholarStudio, to talk about strategies for reading, making sense of, and writing about the literature. Whether you’re writing a literature review for a dissertation, an article, or the introduction to your book, you won’t want to miss this rare opportunity to get clarity on this important part of your project. This webinar will help you understand not only what it means to synthesize the literature, but will also give you tools for doing it. 

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Co-authoring & writing collaboration: Planning strategies for success

Writing a book or an article is a demanding process in the best of circumstances. We must balance a number of internal and external factors. We must figure out how to convey our insights and experiences, research and analysis, in writing. At the same time, we must interface with the external world: schedules and deadlines, editors and publishers, and ultimately with our readers. We add another set of factors when we work with co-authors. How can we navigate all of these dimensions in ways that allow us to collectively produce our best work?

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