Are you older than your professors? There’s hope

I immediately recognized Marlene’s voice on the phone. She was one of the brightest and most conscientious doctoral students I have ever served in my academic coaching and editing practice. An older student, “nontraditional,” Marlene had returned for her doctorate after three of her four kids were grown and on their own. She held down a full-time job in medical billing, and her youngest was now in high school, so Marlene embarked on a lifelong dream—she enrolled in a doctoral program. We were working together on the first of her course papers.

But now, instead of greeting me, Marlene fumed for ten minutes. Her professor had track-changed almost every page of her essay and added a four-paragraph single-spaced memo stuffed with questions. Marlene shouted over the phone, “I’m calling the doctoral police!”

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Are you caught in relentless tides of dissertation revisions?

If you’re in the throes of writing your dissertation and have submitted your drafts to your chair and committee, you may have experienced a version of their seemingly endless rounds of revisions. Granted, they may drive you crazy, but—please believe me—you can to handle the revisions so they don’t erode your confidence (even more), deepen your depression, and thoroughly destroy your sanity.

A chair or committee’s insistence on ceaseless revisions generally stem from one of two main motivations. The revisions reflect less-than-healthy motivations for some professors who are perfectionist, vindictive, petty, and competitive.

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Your own writing room(s)

My writing buddy’s face turned dark pink as she shouted over her latté. “No one can write anything decent without a private place!” She jabbed with her finger. “It’s gotta be your own!”

I was as adamant. “Oh, come on! All you need is the desire, will, and your stone tablet and sharp tool. It doesn’t matter where you write!”

Our little debate embodies two often-discussed viewpoints about writing. My vehement response to my friend brought up again my long puzzlement about the most effective place to write. Other writers have explored this topic, with many suggestions. They are all fine, but I believe something is missing. Especially if you’re in a quandary about where to write, I’d like to help enlarge your perceptions of your own physical and mental writing places, spaces, and times.

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Don’t want to write? Rev up your intentions

These languid summer days, after some necessary business with my dissertation coaching and editing clients, I resist doing my personal writing. Generally, I manage to balance (or struggle with or squeeze) the ever-ongoing writing projects—novel, stories, essays, poems—with the client work. If I don’t do something on my own writing, the day will feel wasted and I didn’t fulfill at least a little of my writing promise to myself.

To tease myself into writing on a particularly steamy day (despite the air conditioning), I remembered a technique that academic and creative coach Dr. Dominique Chlup (2016) teaches her clients. This is to first set your writing intentions: ask yourself how you want to feel writing during this session or having written.

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You are not your dissertation

In tears on the phone, my dissertation client Aurora wailed, “Chapter 2 is destroying me! I’ll be in this article gridlock for the next 10 years! I’m just not dissertation material!”

Aurora’s heartfelt confession was not unusual. In my longtime professional practice coaching struggling dissertation students, many have admitted feeling blocked in their writing, whether it’s Chapter 2, the dread literature review, like Aurora, or another chapter that particularly bedevils them. But Aurora’s assumption that she wasn’t “dissertation material” was particularly upsetting.

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Get into your dissertation flow

If you’re writing your dissertation, you’ve probably experienced the all too common range of emotions, from initial elation to paralyzing fear to plunging despair, and in between many starts, stops, and freezes. Here I suggest how you can at least cut down on those maddening swings and coax, invite, and entice the Flow.

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