Most useful textbook and academic posts of the week: June 21, 2019

At last week’s Textbook & Academic Authoring Conference in Philadelphia, there were some wonderful presentations and discussion on topics of inclusive access, textbook subscription models, open access, writing and publishing strategies, and the overall trends in the changing landscape of academic publishing. This week’s collection of articles from around the web extend that discussion with some of the same topics present in our list.

As you ponder the future of textbook and academic authoring and publishing for yourself, I encourage you to consider the thoughts of Rob Siltanen, “Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.” Here’s to changing the world. Happy writing!

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Q&A: Who owns the copyright to coursepacks I create for my lecture?

Q: “My question concerns my coursepack for my lecture, which is sold at our college bookstore. I created it at my home office using my own computer. It contains my own original illustrations, graphics, and charts. I contend that this is my intellectual property while the bookstore has recently made an attempt to copyright all coursepacks in the name of my college. I am quite sure that my college is taking liberties that it has no right to legally. What is the best method for me to proceed to prevent the college from stealing my intellectual property?”

A: Steve Gillen, Attorney, Wood Herron & Evans:

“As a general rule, you have a copyright in any original work of expression prepared by you and that right vests automatically the instant your work is recorded in a tangible medium. Provided the illustrations, graphics and charts in your course pack were created by you and not copied or adapted from some other source, this default rule would vest ownership of the copyrights in you. An important exception to this default rule is known as the work-for-hire doctrine.

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