An inside look at peer review

Academic presses invest a lot of effort in the peer review process. While most academics understand the process — either from personal experience or tales shared at conferences — less understood is how editors and publishers view peer review.

“The primary reason for peer reviewing manuscripts is to reinforce the publisher’s reputation as serious and professional,” said Jessica Gribble, an acquisitions editor at Lynne Rienner Publishers.

Individual editors also value peer review, she said: “We can’t be experts in every subject we acquire, so we rely on reviews to help us know whether the content of the manuscript is high quality.” Another goal of the peer review process is to confirm what the press believes to be the market for the book. “We’re getting both a content analysis and a market analysis,” said Gribble.

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How to apply the theory of experiential learning to textbook writing

Experiential learning, a four-stage cycle that accommodates four distinct types of learners, is the ideal way for people to learn. While each person will prefer one part of the cycle over others, it is important for educators to guide their students through each stage in order to achieve the best possible learning experience.

According to Dr. Alice Kolb, president of Experience Based Learning Systems, Inc., textbook authors can use the following ideas to incorporate all four stages of the experiential learning cycle and maximize the educational potential of their books:

First Stage: Concrete Experience. Vignettes or quotes can help students identify with the content of a chapter, or you can provide introductory exercises to give students an initial experience with your topic.

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How to edit a collective volume of papers from a conference

A collective volume is often a written record of a single conference or symposium, or a record of the “acta” or proceedings of a series of meetings of an organization, often annual, stretching over a number of years; or, finally, a festschrift offered as an acknowledgement of an individual’s professional impact over a significant period of his life. Festschriften are often occasioned by 65th or 70th birthdays, retirement, or other excuses.

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Negotiating the foreign sales clause in textbook contracts

If authors are not careful when negotiating language related to foreign sales in their book contracts, they can end up earning next to nothing on international sales of their books.

Stephen Gillen, an attorney with Wood Herron & Evans, said that although he cannot provide exact language authors can use to negotiate the foreign sales clause in their contracts without knowledge of the unique facts and circumstances of each case, he suggests authors use the following to start the discussion with their publisher:

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Authors share advice for writing your first textbook

Writing that first textbook can be a really time-consuming and exhausting experience, but knowing the ropes beforehand can make it less daunting.

Easy money. A screenplay. Fame and glory. If you’re thinking about writing a textbook, put these out of your mind. But if you’ve got a lot of knowledge to share in return for the satisfaction of just doing it, there’s some advice out there for writing your first textbook.

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Five myths to overcome when writing your first book

Many people live exciting lives, have great vision or imagination and are compelled to seek the long road of writing a book. Writing your first book is an especially daunting task. Where to start? How do you proceed? What if writer’s block hits? And will I ever find a publisher? These are just a few of the myriad of questions that keep would-be authors away from the keyboard and awake at night as they wrestle with conquering the page.

Let’s begin from the rejection pile as it were: Things Not To Do. If you can eliminate some lethal, bad habits, maybe you can free your fingers so they can dance joyfully over the keyboard once again. Are you game? Here are five myths you will need to overcome when writing your first book:

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