TAA signs on to Copyright Alliance letter seeking changes to copyright provisions of NAFTA agreement

copyrightThe Textbook & Academic Authors Association (TAA) was one of 19 groups to sign on to a letter from the Copyright Alliance to US Trade Representative Robert Lighthizer asking him to “modernize the copyright provisions of the NAFTA agreement for the digital age and to establish a template for future agreements.” Meetings to renegotiate the NAFTA agreement began August 16, 2017.

“The internet’s global reach has made copyright protections and enforcement increasingly important to free trade agreements,” states the letter. [Read more…]

Pre-order your copy of TAA’s newest book: ‘Writing and Developing Your College Textbook: A Comprehensive Guide’

Writing and Developing Your College TextbookWriting and crafting a textbook and attending to authoring tasks is a time-consuming, complex—some would say monumental—project, even harrowing at times. The updated and expanded third edition of Writing a Developing Your College Textbook: A Comprehensive Guide, now available for pre-order, will empower you to undertake textbook development by guiding you through the nuts and bolts of the development process and providing essential background information on the changing higher education publishing industry, as well as how to choose a publisher, write a textbook proposal, negotiate a publishing contract, and establish good author-publisher relations. Click here to pre-order. [Read more…]

‘Guide to Textbook Publishing Contracts’ featured in ‘Wisconsin Bookwatch’

Blank square hardcover album templateThe following review of Guide to Textbook Publishing Contracts was published in the June 2016 issue of Wisconsin Bookwatch, published by Midwest Book Review. It is being posted here with permission.


The forming of contracts to the benefit of authors is a subject never taught in any creative writing class or workshop but it is a vital and necessary skill — especially for writers of textbooks. In Guide to Textbook Publishing Contracts, Stephen Gillen (a partner at the 145-year-old legal firm Wood Herron & Evans which specializes in intellectual property law) provides a complete and comprehensive course of instruction that is as ‘user friendly’ as it is do-it-yourself practical. [Read more…]

Register your own copyright: When, why, and how?

Zick and Brenda

Zick Rubin and Brenda Marshall Ulrich, copyright attorneys, Rubin & Ulrich, LLC.

As textbook and academic authors, your copyrights are your livelihood, and the value of your copyrights is often enhanced by registering them in the U.S. Copyright Office – something that you can easily do for yourself.  Yet, as publishing and copyright attorneys, we find that many text and academic authors know less than they should about copyright registration.

Here’s our sample Q&A conversation with an author who wanted to know more about when, why, and how to register the author’s copyrights: [Read more…]

TAA once again stands up for authors in Google Books case

LegalscaleThinkstockPhotos-178999905More than a decade ago, in 2004, Google initiated a program, in concert with several university and large public libraries, to scan and digitize the entire contents of millions of books without regard to whether they were or were not still under copyright, ultimately making complete digital copies of more than 20 million books. Google’s goal was to expand its search business to include print works as well as online works. It spent hundreds of millions of dollars on this project, suggesting what Google believed to be its commercial potential. [Read more…]

Work-for-hire or transfer of copyright? Understanding your rights

In the publishing world, the concepts of “work-for-hire” andcopyright collage art “transfer of copyright” can be challenging to navigate. Authors are often confronted in the publishing agreements by language that is vague and complicated, such as:

“The work will be a work-made-for-hire as defined by the Copyright Act, but, if the work is deemed not a work-for-hire, author hereby irrevocably transfers all right, title and interest in the work to the publisher for the entire term of copyright throughout the world.”

Why would a publisher prefer the work to be a work-for-hire than an outright transfer and what is the difference between a work-for-hire and an irrevocable transfer of all right, title and interest? To answer these questions, one must have a clear understanding of the definition of each practice. [Read more…]

Learn about the latest court rulings in the Google Books Case

copyrightOn October 16th, a U.S. federal appeals court ruled in favor of Google and against the Authors Guild in a copyright infringement case that began 10 years ago over Google’s controversial book scanning project. Listen to a recording of The Copyright Clearance Center’s webinar, “A New High-Water Mark on Transformative Use? Update on the Google Books Case”, with attorney Lois Wasoff on the latest court rulings in the Google Books Case.

Top 11 Reasons to attend TAA’s 28th Annual Textbook & Academic Authoring Conference

Have you registered yet? Here are the top 11 reasons why you need to attend TAA’s 28th Annual Textbook & Academic Authoring Conference, June 19-20, in Las Vegas:

Follow the conference on Twitter using hashtag, #2015TAA.
Also, be sure to ‘Like’ our conference Facebook page!
See you in Las Vegas!

The most useful textbook & academic writing posts of the week: December 12, 2014

Do you ever find yourself at a lossWrite without fear. Edit without mercy. for what to say? Maybe the words are swirling around in your head but they refuse to form together to make a sentence that is anything meaningful or coherent? This quote, “Write without fear. Edit without mercy.”, is a reminder that sometimes, even with words swirling around in your head, you just have to go for it and get it all out on paper no matter how it forms together on the page. Then, when it is time to edit, spare no mercy. Cut everything back and keep only what is truly needed. And with that I say, happy writing! [Read more…]

Copyright: Why a memorialized record of good faith matters

copyright collage artThere are few absolutes or bright lines when it comes to copyright matters. So much is left to the judgment of the court or jury in a copyright infringement case, the boundaries so amorphous, the tests so subjective, that ensuring that you are more sympathetic than the plaintiff can go a long way toward moving the case one way or another.

The threshold question of the copyrightability of plaintiff’s work, the credibility assigned to any given copyright registration, the application of the four-factor test for fair use, the [Read more…]